Category: Reviews & Criticism

Luke Jeffrey Reviews Matthew Burnside’s Short Story Collection Postludes

The hero is too late. The dragon is unstoppable, and the princess has died prematurely. Must the story end there? Could there be a hint of redemption in the years to come, when the hero finally comes to terms with his guilt and grief? Matthew Burnside explores what happens after life falls apart in Postludes,…
Dust Bunny City, prose poems by Bud Smith, reviewed by Michael Gillan Maxwell

Dust Bunny City, Bud Smith’s latest collection of prose poems, is a wonderful collaboration with his wife, Rae Buleri, who illustrated the book. Organized in two sections, Tic Tac Toe and Orange Peel, the pieces unfold in a deliberate story arc sequenced like songs on a vinyl album. An album you’d flip over and listen…
“Reality Depends on Perspective”: Claire Polders Reviews Deb Olin Unferth’s Wait Till You See Me Dance

With “Likable,” the opening story of Wait Till You See Me Dance, Unferth throws us into the pitfalls of social anxiety, one of the themes threading her impressive new story collection. In barely two pages she sketches the naked concern of an aging woman on how she is perceived by others. Should the woman resist…
“Living in a Lonely World”: Samuel Stolton Reads Leyna Krow’s I’m Fine, but You Appear to Be Sinking

If ever “reading” was to be considered a solitary enterprise, one is ironically sure to be acquainted with a fair few lonesome characters in Leyna Krow’s short story collection, I’m Fine, but You Appear to Be Sinking, published by Featherproof Books. An ominous sense of abandonment abounds throughout the stories, and the reader is immersed…
Fiction Review: Tyler Barton Reads Ottessa Moshfegh’s Homesick for Another World

The final story in Ottessa Moshfegh’s third book of fiction starts with the sentence, “I come from another place.” If Homesick for Another World contained an opening epigraph, this might be an apt one. To be clear, the collection is not a work of speculative fiction, nor is it sci-fi, fantasy, or even magical realism.…
James Ardis Reviews Exits by Daryl Seitchik

*Ed.’s Note: click images to view larger sizes. When I first heard about Daryl Seitchik’s comic Exits, the story of a woman who works at a mirror store until she achieves (or is cursed with) full invisibility, I felt confident I knew where the story would go. I figured Claire, the now invisible protagonist, would…
“I, Too, Am Ruining My Own Life”: Jesse Rice-Evans on Gwen Werner’s I’m Ruining My Own Life

Gwen Werner gets me: anxieties about gender, sexuality; being a total nihilist but loving my nest anyway; trying to not be an awful straight-passing feminist; surviving, but barely. Werner stumbles through life, but her voice is unwavering: she might hate herself, but she knows how to shape a story, and, maybe most importantly in short-form…
Fiction Review: Ray Barker Reads Alexander Boldizar’s The Ugly

Even courageous readers have likely never encountered a character with the overwhelming physical mass and intellectual presence of (northern) Siberian oaf, and oversized tribal chief, Muzhduk Ugli the Fourth. Muzhduk is the three-hundred-pound blond-bearded protagonist that propels Alexander Boldizar’s oddly unforgettable debut novel, The Ugly, to its fairytale end. The novel ostensibly details the life…
There’s So Much They Haven’t Told You, stories by Michelle Ross, reviewed by Dana Diehl

The stories in Michelle Ross’ debut collection, aptly named There’s So Much They Haven’t Told You, are fueled by grade school science, by snake venom, by fossilization, by velocity, by the kind of magic that’s real. Ross’ characters live in half-formed worlds, their vision limited by their circumstances. In these twenty-three stories, characters stare down…