Author: Heavy Feather
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Lyric Essay: “When a man says less is more, it’s hard not to hear him (or, on figure painting)” by Sophie Paquette
He teaches us to apply paint in shapes. To recognize shadow and bend before limb. Our subject sprawls on the couch, arms hung along the cushion’s back. I paint the knee sticking out too far and the kimono slides down her leg, pulls her thigh into the light. I like this: leg hiked up like…
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“The Dollhouse,” a short story by Meiko Ko
Once more, the man said he was lost. I told him no, he wasn’t, from where I sat I could see him clearly, cross-legged on a braided rug. I said, “You are free. You can leave anytime you want.” He would not believe me. He said I was only a child. Don’t be too sure,…
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“The Brilliant, Bright-Red Bowels of Bonnie Chau’s All Roads Lead to Blood”: A Review by Jesi Buell
“The Wolf was a Wolf, and had an innate wolfishness, which manifested itself in his longing to devour The Pretty Girl, tear her apart and slurp her down whole.“ All Roads Lead to Blood is a collection of loosely linked short stories from Santa Fe Writer’s Project’s 2040 Books Prize winner Bonnie Chau. Each story…
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“Free Car,” fiction by Alex Kudera
After the click, I wonder which I like least, folks who phone too early in the morning or those who call late at night. Then I return to the other room, a small L-shaped kitchen/living room area, pour myself a cup of ambivalence, and lie low on the futon couch with my calves resting on…
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Ordinary Misfortunes, a poetry chapbook by Emily Jungmin Yoon, reviewed by Callista Buchen
Chosen by Maggie Smith as the winner of Tupelo Press’ Sunken Garden Poetry Prize, Emily Jungmin Yoon’s chapbook Ordinary Misfortunes considers sexual violence against women, investigating the varied forces that enact and normalize it, while also focusing on what such violence means for women. In particular, as Ordinary Misfortunes weaves together historical and contemporary times,…
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“Literary Shrapnel”: New Micro, a fiction anthology edited by James Thomas & Robert Scotellaro, reviewed by Bryan Jansing
When I was in the Navy in 1991 I found a book at the Exchange that would change my life. The book was Sudden Fiction: American Short Short Stories edited by James Thomas and Robert Shapard. It set a course in my life. I wanted to write fiction, I wanted to write stories. But I…
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“A History of Hosts and Vectors,” poetry by Kristin Abraham
(This will not end well,they said when it began.But momentum appreciatesonly one way, so any onusthey bore was solelyin the act of throwingup their hands to lamentthe thumb of God, how ithovers over our heads.Because no man can ownhis sins when the veryworld is force majeureall the way down to itsspecks and quarks.) Our…
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Unlanguage, an undead workbook novel by Michael Cisco, reviewed by Paul Dee Fecteau
I am not going to assume you’re here because you received the workbook in some innocuous way that in retrospect seems increasingly mysterious—say, a stranger handed it to you on a busy train platform or an unknown colleague stuffed it into your department mailbox. I acknowledge plenty of such stories are circulating on social media…

