Tag: Tupelo Press
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boysgirls, Katie Farris’ hybrid prose text from Tupelo Press, reviewed by Cheryl Weaver-Amenta
For such a small book, boysgirls by Katie Farris is intimidating. It dares us into a world of multiplicities bookended in desire, featuring creations that shift with such frequency as to destabilize any bodily manifestations one thinks have become tangible. Language is a means to create and destroy, and Farris challenges her readers in an…
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“More Heart Than Weather”: Zach Savich Interviews Noah Falck
Noah Falck’s newest book of poetry is Exclusions (Tupelo Press, 2020). He is also the author of You Are In Nearly Every Future (Dostoyevsky Wannabe, 2017) and Snowmen Losing Weight (BatCat Press, 2012). He lives in Buffalo, New York, where he works as education director at Just Buffalo Literary Center and curates the Silo City…
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Will Stanier Reviews Exclusions, a Tupelo Press poetry collection by Noah Falck
I suppose any discussion of Noah Falck’s most recent book, Exclusions, should begin with the topic of its title, and the premise this title delivers to the poems within. For Exclusions is certainly what one might call a concept book or a poetry cycle: a collection of fifty or so poems that follow a common…
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Esteban Rodríguez on Arrows, Dan Beachy-Quick’s seventh poetry collection (Tupelo Press)
At its core, poetry seeks to examine the relationship between things, and although there are many ways in which poets achieve this, no one quite does it as thoughtfully as Dan Beachy-Quick. The author of six previous poetry collections, Beachy-Quick’s newest book Arrows explores love, faith, philosophy, the constraints and usefulness of language, and the…
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Noreen Hernandez Reviews Carol Ann Davis’ essays on art, violence, and childhood: The Nail in the Tree from Tupelo Press
About twenty years ago, I felt buried under the usual family problems that most people face. I complained to my sister that while I didn’t expect anything miraculous, I would appreciate it if life would just get a little easier. Her short response was, “But life isn’t easy. And it’s not hard. It just is.”…
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What Could Be Saved, bookmatched novellas and stories excerpt, by Gregory Spatz
Going where most readers have never been—past the workshop door, behind the curtain to the hidden rehearsal space, and into the back room of a pawn shop or dealer’s office, Gregory Spatz’s new book delves deeply into the world of those who build, play, and sell (or steal) violins. This is a realm of obsession,…
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“How Hazel Tried to Kill the One Good Thing,” an excerpt from the novel Hazel by David Huddle
“What do you think the movie of your life would be?” asks Ms. Hazel Hicks, a proud, articulate woman without vanity. Her nephew, John Roberts, captivated by the mystery of such a uniquely serious person, sets about making the metaphorical movie of her life. What emerges, through found documents, photographs, interviews, and a sequence of…
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Wintering, a hybrid poetry collection by Megan Snyder-Camp, reviewed by Dan Alter
More poets seem drawn each year to some version of the genre called “hybrid,” and Wintering by Megan Snyder-Camp is an exemplary book of this kind. The genre involves, usually, a blend of verse and prose, with lyric, documentary and other modes set side by side. Often these extend to a book-length work constructed around…
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Ordinary Misfortunes, a poetry chapbook by Emily Jungmin Yoon, reviewed by Callista Buchen
Chosen by Maggie Smith as the winner of Tupelo Press’ Sunken Garden Poetry Prize, Emily Jungmin Yoon’s chapbook Ordinary Misfortunes considers sexual violence against women, investigating the varied forces that enact and normalize it, while also focusing on what such violence means for women. In particular, as Ordinary Misfortunes weaves together historical and contemporary times,…
Heavy Feather Review 