Author: Heavy Feather
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Poetry Review: Jordan Sanderson Reads Brain Camp by Charles Harper Webb
“[H]eadlights lance the air,” Charles Harper Webb writes in “Questionable,” a poem about teenagers parking in the “night-woods.” This stunning image might serve as a metaphor for what Webb does in all of the poems in Brain Camp. Concerned primarily with the passage of time, the collection contains both deeply personal poems and critiques of…
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Poetry Review: Michael Schmeltzer on The Well Speaks of Its Own Poison by Maggie Smith
The Japanese fairy tales I remember from childhood involve infertility. Often there was a kind old woman and an equally kind old man, both bowed in prayer, both wishing for a child. Miraculously, a child would appear—in a giant peach floating down the river, in a shoot of bamboo. After I moved to the United…
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Book Review: Vivian Wagner on Like a Song, an essay collection by Michelle Herman
Reading Michelle Herman’s essays is like sitting down with a friend over coffee and discussing life, love, TV, and parenting. She’s conversational and intimate, and she makes this kind of writing look easy. Don’t let that fool you, though: her work is carefully and beautifully crafted, and her recent collection, Like a Song, is no…
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Fiction Review: Chris Liek Reads Witchita Stories by Troy James Weaver
Troy James Weaver’s collection Witchita Stories takes us back to our childhood, our hardest years, and the struggles that come along with it. These short short stories give us glimpses into the life of the narrator and his relationships with his brother and parents—and his fear of becoming just like them. Weaver revamps the coming of…
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“The Final Frontier”: Fantasy, poems by Ben Fama, reviewed by Carolyn DeCarlo
Opening the envelope that contained Ben Fama’s Fantasy was an exhilarating experience. It had been raining for several days when I noticed the wet package stuck to the bottom of my mailbox. While many books have succumbed to a fate of shriveled pages, warped and discolored covers in this way, Fantasy came out of its…
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“Something That Was Infinite”: Meghan Lamb Reviews The Goners, a novel by Mark Gluth
I’ve always felt a fondness toward the aesthetic of gauzy realism. It seems apt, as far as literary terms go. The term was first used by critics describing the plays of Tennessee Williams, referring to scenes which fog the real with uncanny light. Williams believed that the significance of gauzy realism was in its effect…
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Scrapper, a new novel by Matt Bell, reviewed by Sam Slaughter
If they’re not from there, people tend to avoid Detroit these days. Buildings, if not collapsed, are pillaged for any valuables, and the desolate places left are filled with desperate peoples. There is a grim sense of finality in everything that happens there—the people that undertake actions could die or, if they’re lucky, move away.…
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“The Uncomfortably Ugly, the Stupidly Human, and the Beauty of the Mundane”: Troy James Weaver Reviews Robert Vaughan’s Addicts & Basements
Robert Vaughan’s Addicts & Basements is a slim volume of flash fiction and poetry coming in at just under one hundred fifty pages. I’m not going to lie, that knowledge alone led me into some kind of garnered skepticism, as usually these types of collections are relegated to the I-have-all-this-shit-lying-around-might-as-well-make-a-book-of-it category. That’s not the case with…
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“Prone to Marauding Poems”: An Interview with Lisa Gluskin-Stonestreet by Jane Huffman
Lisa Gluskin-Stonestreet is the author of The Greenhouse (Bull City Press, 2014), selected by David Baker for the Frost Place Poetry Chapbook Prize. Tulips, Water, Ash was selected by Jean Valentine for the Morse Poetry Prize and published by University Press of New England in 2009. Her poems have appeared in Cream City Review, At Length, Blackbird, The Iowa Review, Michigan Quarterly Review, 32 Poems, Quarterly…
Heavy Feather Review 