Category: Reviews & Criticism
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Kiss Kiss, a flash fiction collection by Paul Beckman, reviewed by Brad Rose
Whenever I read Paul Beckman’s flash fiction, I feel like I’m benefitting from a humorous, avuncular neighbor who is comfortably narrating what are, by turns, realistic and surrealistic tales that highlight both the humor and sadness inherent in the human predicament. The brief, seemingly effortless, stories in Beckman’s newest collection, Kiss Kiss, explore a range…
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Tenderling, a poetry collection by Emily Corwin, reviewed by Dameion Wagner
Before flipping through and selecting a single poem in Emily Corwin’s new Tenderling, readers are struck by the text’s cover, an array of sharply mottled, kaleidoscopic, but no less formed and fantastical images. Sarah Shields’ illustrations contrasted over a faux beige linen background are marked by deep, bright reds and touches of blacks in flowers…
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“Flightpath to Eternity”: William Lessard Reviews Pamela Ryder’s Novel in Stories Paradise Field
Pamela Ryder uses the instruments of fiction to dismantle received notions of grief and aging. With the death of her father as her noetic object, she picks up where popular end-of-life philosophers like Atul Gwande and Paul Kalanithi leave off. The result is a book whose humor, imaginative élan, and relentless attention to detail fuse…
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“Making Comics: My Graphic Novel Process,” a craft essay by Jess Smart Smiley
New Comic My name is Jess Smart Smiley and I make comics. My newest project is a square, interactive comic called Fantasy Quest, and it’s live on Kickstarter right now. (Oh, don’t worry—there are more plugs for Fantasy Quest to come—but let’s talk process first.) Hamburger Style The earliest comics I remember making were created…
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Conjoining, a poetry collection by Heidi Czerwiec, reviewed by Matt Mauch
As with me seeing the coffiin-esque iron lung in the basement museum of the Nobles County Library, surrounded by photos of smiling polio victims inside various other iron lungs, and making sure I never went to the basement museum alone ever again, any gaggle of able-bodied and world-curious five-year-olds would no doubt concur, upon first…
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Walking Backwards, a poetry collection by Lee Sharkey, reviewed by Toti O’Brien
On the cover of Lee Sharkey’s Walking Backwards, an anonymous oil painting—“Pogroms”, circa 1915. A long line of people crosses from left to right—their clothes the same color of the background, as if the landscape had already started absorbing them, soon to entirely obliterate them. Two of the men look vacuously forward—not far, as their…
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“The Monstrous Maternal in Ursula Andkjær Olsen’s Third-Millennium Heart”: A Poetry in Translation Review by Jayme Russell
Third-Millennium Heart is awash with red blood, black blood, a flood of names and namelessness. The poems pulse with RED. A stream flows from the poems, filling the exo-heart as the word “mother,” “mother,” “mother” runs RED. With each line the map of the heart grid beats. This heart is growing through a demon incantation.…
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“Ghosts in the Trees”: A Review of Patricia Grace King’s novella Day of All Saints by Rachel C. Reeher
In Patricia Grace King’s Day of All Saints, a young Martín Silva de Choc meets Abby, an American student studying abroad at the Guatemalan language school for which he teaches. Abby’s long blonde braids and hypnotic laughter bring promise of a lovelier life in Chicago, but her presence is a stone in the water of his…

