Author: Heavy Feather
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“Killing Is Caring”: An Interview with David Kuhnlein by Matthew Kinlin
Writer, poet, editor, visual artist, and actor: David Kuhnlein’s work is expansive and mutant. Working with fellow alchemist Sean Kilpatrick, Kuhnlein has developed a concentrated form of text: concise, insidious, visceral. Blood boiled into tar. His haunting first novel, Die Closer to Me, a work of science fiction set on the planet Süskind, was released…
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Fiction Review: Jess Bowers Reads Katharine Coldiron’s Collection Wire Mothers
None of the five short stories in Katharine Coldiron’s debut collection Wire Mothers are specifically about psychologist Harry Harlow’s attachment experiments with infant rhesus macaques and wire/cloth “mothers.” Instead, Wire Mothers earns its title through accretion, as the characters in each of Coldiron’s stories seek comfort from others yet remain unable to connect, just like…
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“His Name Is Jonas”: Nicole Yurcaba Reads Joshua Chaplinksy’s Novel Letters to the Purple Satin Killer
In November 2023, a BU Today opinion piece posed a pertinent question: “Why are we so obsessed with serial killers?” Three Boston University-affiliated experts weighed in on the topic, one that came into focus after police arrested Rex Heuermann, a man accused of killing three woman whose bodies were found on Long Island’s Gilgo Beach…
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Side A Hybrid Piece: “Your Repayment Eternal (Two Necks)” by Andrew Zhou
Your Repayment Eternal (Two Necks) 1. The hangman arrived home two necks richer—one man sentenced for murder and the other for rustling—and heard a whistling in the air. It was the half-competent kind his father used to make in the mornings before the drunkard hollered at the wrong woman on the wrong porch and had…
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Novella Review: Mark Crimmins Reads Ashley Honeysett’s Fictions
Rumors about the death of autofiction have been greatly exaggerated. Moreover, claims—in Publisher’s Weekly and elsewhere—that there is no such thing as an autofictional novel (or novella) are themselves less redolent of fact than of fiction. Ashley Honeysett’s genre-bending hybrid novella Fictions is a sign that, in the third decade of the twenty-first century, autofiction…
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Nonfiction Review: Jen Schneider Reads Kat Meads’ These Particular Women
It’s a particular type of writer and a particular type of writing that illuminates (ten-fold over ten essays) as much as it informs. It’s also a particular type of writing and a particular type of writer that uncovers details (oh-so-delicious details) as much as it declares and reveals universal truths. These Particular Women, written by…
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Haunted Passages: Six Poems from The Witch’s Flight by John Schertzer
The Witch’s Flight 1 I see you rounding the cornerwith your flag. You made it yourselffrom a table cloth, put some knobs on it, bright colorscalled yourself a beginningof something still undefined still nowhere to be foundand I am there beside youwaiting for it to happen. The Witch’s Flight 2 I saw you rounding the…
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Original Fiction for Bad Survivalist: “Sugar” by Gogol
You don’t like cutting anymore. You don’t like stitching too. You are broke, mostly a failure, and the only place where they will allow you to cut and stitch is in the hospital located at the outskirts of the sugarcane field. You stay in a room at the periphery of the hospital. The women yell,…

