Author: Heavy Feather
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“Dog-eared”: William Henderson on Where’d You Go, Bernadette by Maria Semple
To: YouFrom: Heavy Feather ReviewRe: Where’d You Go, Bernadette You know from the beginning that Bernadette Fox is missing, and that her daughter, Bee, is doing what she can to find her mother, including reading e-mails to, from, and about Bernadette; reviewing memorandums sent home from her school, the Galer Street School; reviewing presentation transcripts;…
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“Dog-eared: What Matters Most, How You Feel When You’re Together”: William Henderson on David Leviathan’s Every Day
The main character in Every Day, the new young-adult novel by David Levithan (one-half of the team behind bestsellers like Nick & Norah’s Infinite Playlist; Dash & Lily’s Book of Dares; Will Grayson, Will Grayson) is both—and neither—boy and girl, and short one reference to gender on the back cover (which may be fixed by now, since…
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“Coming of Age Glacially”: A Review of Jerry Gabriel’s Drowned Boy by Robert Boucheron
Jerry Gabriel quickly sets the scene in his first book of stories, linked by place and characters. In “Boys Industrial School,” the third sentence reads: “Beyond Nate and Donnie Holland there was just the desolate November woods and the endless hills and Milford Run meandering next to the road among the thickets.” The entire book…
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“Less Pom-Pom, More Circumstance”: William Henderson Reviews Dare Me by Megan Abbott
Cheerleading and friendship, in sixteen-year-old Addy Hanlon’s world—brilliantly created by Edgar Award-winning Megan Abbott in the just-out Dare Me—vie for Most Competitive Sport in the weeks leading up to the big game, where a scout may just help the varsity cheerleading squad get a shot at regionals. What you’ve heard about cheerleaders, and what you’ve…
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“Strange Bravery I Pay the Gods For,” a poem by Sarah Bartlett
We close our eyesso we don’t have to seeeach other. I drive my carthis way and die three timesa week. I keep coming back—life is relentless in its lesson.I drive my car past your housewith my eyes closed and arrive inAtlantic City. I play the penny slotsand stare at Cleopatra.I drop coins in her asp’smouth…
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“KISS Scared the Living Shit Out of Me Back When I Was a Little Kid—or, More Precisely, It Was Gene Simmons”: An Interview with Joshua Kornreich by Jason Teal
Joshua Kornreich’s characters are oftentimes detectives of the familiar, deconstructing what once passed for the reader’s everyday, in processes just as equally regimented or overlooked. With The Boy Who Killed Caterpillars Kornreich delivers a mystery unlike any other, in his positioning of sentences outside of the traditional paragraph structure. This gives weight not only to the…
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“Just in Case There Are Any Odd Little Paste-eating Girls Reading This, I’d Like to Give Them Some Small Ray of Hope”: An Interview with Julie Innis by Robert Vaughan
Originally from Cincinnati, Ohio, Julie Innis now lives in New York. Her stories and essays have appeared in Post Road, Pindeldyboz, Gargoyle, and The Long Story, among others. She holds a Master’s in English Literature from Ohio University and is currently on staff at One Story as a reader. She is the author of Three…
Heavy Feather Review 