Author: Heavy Feather

Thank You for Being, a poet’s memoir of home by Merle Bachman, reviewed by Marjorie Pryse

In her new book, Thank You for Being, Merle Bachman produces a hybrid work, a prose-poem of sorts. Although the book sketches various locations its poet-narrator has lived or traveled, her real home takes place in words. “Never wanted to be tied down” becomes the mantra of this reflection of a life: no house but…
“The Weight,” a flash nonfiction for Side A by Aleina Grace Edwards

The Weight Eleven Look at you, cutie, you’re all skin and bones! Maya’s mom beams at me and scoops homemade mac and cheese onto my plate. I’m wearing her daughter’s T-shirt and a pair of cotton shorts; both are too big for me. I smile back, encouraged. My arms, always too long for my body, move…
“Each Drop Is Its Own Light”: Tiffany Troy in Conversation with Dara Barrois/Dixon about Tolstoy Killed Anna Karenina

Dara Barrois/Dixon (née Dara Wier) is the author of the Wave Books titles In the Still of the Night, You Good Thing, Reverse Rapture, and also in 2022 two new chapbooks, Two Poems from Scram Press and NINE from Incessant Pipe. She’s received awards and fellowships from the Lannan Foundation, American Poetry Review, The Poetry Center Book Award, Guggenheim…
Maze Poems, a hybrid collection by David Harrison Horton, reviewed by Daniel Barbiero

Whether as poetry, personal revelation, or simply the transcription of the dynamic play of the uninhibited mind in flux, writing that evades deliberate, conscious direction has the potential to convert language from a practical vehicle of plain communication to an otherly-textured medium in which words are brought together and narratives are shaped on the basis…
Side A Fiction: “Pieterjan Thyjssen” by Hugh Behm-Steinberg

Pieterjan Thyjssen For Peter Bullen One day during my morning walk I ran into Jim sporting the most staggering of haircuts. All the people around us, with their boring lives, their tedious bangs and fauxhawks, walking their shallow dogs, oblivious to the very concept of absolute beauty, each became entangled in leashes as their animals…
Haunted Passages: Two Poems by Matthew Weddig

after a generally positively reviewed yet deeply boomerfied slasher released in 2022 when you are too old to fuckall you have left to you is murder your only options now arerent out the farmhouse in the backblock the exits with your frail bodythe passage of time owes you this muchwhy should the young bodies be…
“ATLiens and ‘american’ Identity”: Jacob Collins-Wilson Reviews Kamden Ishmael Hilliard’s MissSettl

MissSettl, Kamden Ishmael Hilliard’s debut book of poetry, unfurls language—it’s a book that seeks to play with sound, words, meaning and form all while trying to fight, to throw haymakers and knock “yt” America into a manifestation resembling respect and ethics, or at least acceptance. It is also a book of love poems, directly and…
Bad Survivalist Short Story: “Progress” by Derek Fisher

TurtlePhone and Positively Pete! roll across a hellish expanse of the Mojave Desert. Roll, and drag. TurtlePhone, equipped with wheels under his plastic frame, is rolling comfortably enough. Positively Pete!, wheel-less, and without autonomy or propulsion, is dragged by the green tail of TurtlePhone, an appendage of hard plastic and pointy at its tip, which…
“Peanut-Butter the Apartment”: Jonah Meyer Reviews Sarah Katz’s Poetry Collection Country of Glass

In her debut poetry collection Country of Glass, Sarah Katz has woven a humane and haunting book of poems. Imbued with a compassionate sensitivity that seeks to acknowledge and grapple with the harsh realities which too often afflict humanity, such as strife within both self and family, illness and assault, and larger societal and global…