Category: Reviews & Criticism
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Selected Poems by Michael Gottlieb, reviewed by Steven Fraccaro
Michael Gottlieb’s concerns are striking in their intensity—I was tempted to write his “poetic concerns,” but they are more than that, if one may say so. In commenting on his work, the author has enumerated his themes as language, the city, and the life poets face. This is accurate, as far as it goes. But…
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An Impossible Love, a novel by Christine Angot, reviewed by Titus Chalk
Christine Angot’s latest novel to appear in English, An Impossible Love, is an elusive read. Slippery to pin down in terms of its genre, the story also transforms in our hands after a pivotal reveal recontextualizes everything that comes before it. Not only the story’s content, but Angot’s aesthetic, too. Without wanting to give too…
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“Maggie Siebert’s Dead Kitten as the Persecution of Consciousness by Reality’s Imitation of Eternity”: Charlene Elsby’s Review of Bonding
“Every Day for the Rest of Your Life” is the final story in Maggie Siebert’s Bonding, and it’s the kind of thing that doesn’t leave you, because it elucidates something fundamental to the persistence of the terrible—a fundamental premise we know to be true, but which isn’t made explicit except by madmen and metaphysicians. Maggie…
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Sift, a new poetry collection by Christian Hawkey, reviewed by Esteban Rodríguez
The cover for Christian Hawkey’s first collection of poetry, The Book of Funnels (Verse Press, 2004), features a stuffed, anthropomorphized duck standing on the edge of a bed and staring blankly at itself in a mirror. Tinged in an orange glow, the cover is quite uncanny, since we as viewers are led to see ourselves…
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The Employees, a workplace novel of the 22nd century by Olga Ravn, reviewed by Titus Chalk
Powerful men like to send things into space. Perhaps the darkness between the stars is the proximity to godliness they seek. Perhaps they want simply to untether themselves from Earth and its trifling concerns like workers’ rights. There is something of both these ideas in Olga Ravn’s latest novel, published in Danish in 2018, before…
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Master of Rods and Strings, Jason Marc Harris’ debut novella, reviewed by Maxwell Malone
“The life of puppets […] is the dance of the fingers. Puppeteers of old—they say—would connect wires from their veins, feeding lifeblood to puppets to entice the spirits of the earth to enter them. Today, we do this with strings. You move, like so, and he moves. A thing is dead until it moves. You…
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How to Kill Yourself Instead of Your Children, a poetry collection by Quincy Scott Jones, reviewed by teri elam
How to Kill Yourself Instead of Your Children, Quincy Scott Jones’ poetry collection, crawls into the bloodstream, lays in wait, inching up the heat. His is an in-your-face look at race and culture, as much eulogy as history lesson, as much elegy as admonition. Jones, incinerator and extinguisher, understands the assignment he has given, coaxing…
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“Turning the Historical Romance Novel on Its Head”: Laurie Marshall on Leah Angstman’s Out Front the Following Sea
When an historical novel is done well it works details of setting and historical context into the story so deftly that we don’t realize we are being educated. Historical novels done poorly can quickly become exposition-heavy slogs that would be well suited for kindling in a remote cottage on the Scottish moors. It is my…
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Reunion of the Good Weather Suicide Cult, a debut novel by poet Kyle McCord, reviewed by Vincent James Perrone
Membership Where are you? On your evening off, your quiet morning, in the brief moments between longer moments of work and sleep and material responsibilities? If you are a member of the mostly secularized modern world, you’re likely looking for salves against alienation. Personal passions, pleasures, numbness, or revelry. If you’re a bit more well-balanced…
