Category: Reviews & Criticism
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“And in a Heap Cam on Them with a Swack”: Notes by Peter Valente on a Few Passages in Gavin Douglas’ Aeneid with Examples of Its influence on Modernist Poetry
With new translations of Virgil’s Aeneid appearing last year, Shadi Bartsch’s translation of 2021 (only the second English translation from a woman; the first was by Sarah Ruden in 2009) and David Hadbawnik’s translation, which was published this past August, I thought it would be interesting to examine passages from the first English rendering of…
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“I Drive, Therefore I Am”: Michael Quinn Reviews Today in the Taxi by Sean Singer
Born in Mexico in 1974, former New York City taxi driver Sean Singer recalls his time behind the wheel in his wryly humorous third poetry collection Today in the Taxi. Almost all of these prose poems begin “Today in the taxi” and follow the same structure: from the observational (who he’s driving) to the existential…
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“Gatsby Goes Public”: A Critical Essay by Robert Crooke about America’s All-Time Favorite Novel
The Great Gatsby, F. Scott Fitzgerald’s highly-praised and ultimately best-selling novel entered the “public domain” as of January 1, 2021, after 95 years of copyright protection. What happened to Fitzgerald and his subtle, gossamer web of a story during that century is as interesting as the novel itself, given how perfectly the real-life tale confirms…
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“Signature Parallax”: Dustin Cole Reviews Tom Will’s You, the Viewer at Home, Moon
In Tom Will’s You, the Viewer at Home, Moon a totaled car looks like a praying mantis, love-making sounds like a string of pearls dragged down the road, and someone breathes Diesel light. It is a book of textual oddities, effortless in its fluctuation of consciousness and shifting points of view. Associations proliferate, questions deepen.…
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“Haunting and Hunger”: K-Ming Chang’s Gods of Want Reviewed by E.B. Schnepp
Highlighting the crossroads of desire at once familial and physical, K-Ming Chang’s lyrical and deliciously experimental short story collection, Gods of Want, evokes a haunting sort of hunger. This collection is riddled with ghosts; moving through the stories we are confronted first with the literal ghosts of the lost and departed and then increasingly by…
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The Great Indoorsman, essays by Andrew Farkas, reviewed by Vincent James Perrone
There are too few champions of the indoors. The word itself has been sullied by incels and agoraphobes—malcontents and the discontented—connoting loneliness and isolation, despite its unassuming etymology. The indoors have languished in the cultural backwaters of nonfiction, pushed aside for the literally (literarily?) greener pastures of the travelogue, the naturalistic essay, and texts concerning…
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Stories from the Attic, previously unpublished work by William Gay, reviewed by Dawn Major
After William Gay’s passing in 2012 a mountain of unpublished work was discovered and Team Gay—a group of artists, authors, professors, scholars, basically uber fans— was formed. I came into the picture while writing my master thesis in 2016 and I reached out to the archive for more in-depth information on Gay’s writing. After I…
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Anybody Home? a horror novel by Michael J. Seidlinger, reviewed by Dave Fitzgerald
It’s sometimes disturbing to think about the ways in which traditions evolve. Nothing, after all, starts out as a tradition. The word, by definition, carries in it the implicit understanding that an idea or act has happened a number of times, across a lengthy period, with some level of sustained intentionality. Human civilization functions around,…
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Ancestral Throat, a chapbook of poems by Danny Rivera, reviewed by Shannon Nakai
“Dis–”, a prefix of negation, but also of an absence or removal, serves as the backdrop of Danny Rivera’s debut chapbook Ancestral Throat, an ecclesiastical elegy to his father and primal hymn to human origin. Discharged arias, dismantling chapters, discolored diaries, distended crowns, a dismissed choir: Rivera sings the pain of impermanence as the dying…
Heavy Feather Review 