Author: Heavy Feather

Side A Prose Poem: “Peonies” by Tiffany Troy

Peonies The chiaroscuro of my breasts hanging from my nightgown under the lamp light. His voice soothes as buds take root over my skin in droves. The buttons undone, I open the hem of the dress to my waist, as I take in the day’s sweat and decay. I detach parts of myself as he…
Fiction Review: Dave Fitzgerald on Stefan O. Rak’s Paranoic Novel New Roses

Paranoia is a tricky beast to capture. I think we can all recognize and relate to it from the outside easily enough, whether in the wild-eyed monologuing of Macbeth and Raskolnikov or the slow-burn panic of classic alienation thrillers like The Conversation and The Parallax View, or the countless ongoing explorations of our evolving surveillance…
Fiction Review: Ria Dhull Reads Scott Daughtridge DeMer’s Debut Novel Then Then Then

Scott Daughtridge DeMer’s debut novel, Then Then Then, is told in fragmentary manner. Fragmentary is not quite the right word—it’s hard to describe the pieces, the moments that make up Then Then Then as fragments, because they’re something different. They are layers. DeMer has attempted to create a novel in the form of a mixed-media…
Fiction Review: Ashley Honeysett Reads Jeff Alessandrelli’s Novel about Sex & Shyness & Society And Yet

And Yet is a written record of a nameless narrator’s effort to make sense of his romantic life. He’s a young adult, busy developing a sense of self, and he sees the way his relationships affect that development. He sees that romantic relationships can foster his selfhood, and also that they can warp it. So…
“A Kaleidoscopic Rendering of the Harlem Renaissance”: John Schertzer Reads Jon Woodson’s Novel The Staircase Shuffle

Jon Woodson, professor emeritus of Howard University, most notably author of To Make a New Race: Gurdjieff, Toomer, and the Harlem Renaissance, has of late been self-publishing both his recent scholarship as well as a few novels, collections of poetry, and translations of African writers of merit. I’m a fan of all categories of his…
Three Visual Poems by Carolyn Guinzio for Haunted Passages

Limb A Thousand Times We Hold Them Out Before Us Carolyn Guinzio’s eighth collection, Cameo Blue, is forthcoming in 2026 from Carnegie Mellon University Press. Earlier books include A Vertigo Book, winner of The Tenth Gate Prize and the Foreword Indies Award for Poetry Book of the Year, and Meanwhile in Arkansas (2025), winner of…
“Creatures of Culture and Perpetrators of Civilization”: Jiwon Choi Talks with Editors of Color in the Landscape of Modern Publishing

In 2015, Lee & Low published The Diversity Baseline Survey, giving us a rundown of who’s working in publishing, including small, medium, and large publishers. Their percentages are as follows: 79% White 7% Asian 6% Hispanic 4% Black 1% Middle Eastern 1% Native American These numbers take into consideration jobs across the board, from editorial…
Poetry Review: Sarah Giragosian Reads Jackie Craven’s Award-Winning Collection Whish

During the pandemic, it was commonplace to hear people talk about how slippery time is. The lockdown dramatized the strange and sinuous qualities of time, the ways that time can stall and slip off the surface of consciousness all at once. These properties of time are difficult to capture, although many poets have tried. Whish…
Poetry Review: Dan Hodgson Reads Diego Báez’s Debut Collection Yaguareté White

By the middle of her poem “Discourse on the Logic of Language,” Caribbean Canadian poet M. NourbeSe Philip has worked “English” from a “mother tongue” to a “father tongue” to “a foreign anguish” by rubbing it against what “mother tongues” and “father tongues” mean in relief of slavery-era edicts bent on the “removal of tongue[s].”…