*Ed.’s Note: click images to view larger sizes.
SCARLET is a digital visual/poetic meditation on the fractured state of psyche induced by extended social isolation under COVID-19 lockdown.
The digital/visual poems are created through erasure of the novel The Scarlet Plague collaged with glitched imagery from everyday life in lockdown. The titles of poems in the series are then derived from objects contained in each glitched still life.
Glitching is a technique that introduces errors into the code of a digital file or stream that distorts its presentation. The error-induced fracturing of images in SCARLET is intended to defamiliarize everyday objects and surroundings to reflect the state of a pandemic self in forced confinement.
The Scarlet Plague is a post-apocalyptic novel by Jack London, published in 1912, set in California during the year 2073, after the world’s population is decimated by an uncontrollable pandemic.
Self-Portrait with Pixies
Mask, Red
Self-Portrait with Bauhaus
Francesco Levato is a poet, a literary translator, and a new media artist. Recent books include Arsenal/Sin Documentos; Endless, Beautiful, Exact; Elegy for Dead Languages; War Rug; Creaturing (as translator); and the chapbooks A Continuum of Force and jettison/collapse. He has collaborated and performed with various composers, including Philip Glass, and his cinépoetry has been exhibited in galleries and featured at film festivals in Berlin, Chicago, New York, and elsewhere. He holds an MFA in Poetry, a PhD in English Studies, and is currently an Associate Professor of Literature & Writing Studies at California State University San Marcos.
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Heavy Feather Review 