Poetry for Haunted Passages: “The Deer Girls” by Janet McAdams

The sisters wear white doeskin dresses and moccasins quilled and beaded, not by their own hands, but by old ladies with fingers toughened by a hundred punctures. They’ll dance through the soles in a single night. This tale has need of a clever young man to find the valley where the twelve sisters go every evening. For this the king will give him the eldest, not knowing how each night she dances with a maiden in dark red lipstick and a dress cut low over her beautiful cleavage.

In some stories the young man needs to be taught a lesson. In some he’s the hero, a son for the king who has only daughters. The lesser suitors try to follow, lose their way and wander. Some will meet the women they should have met who’ll take their names and look both ways before crossing. Some will never get out of the forest. Half mad, they’ll crawl into hollow trees, into caves too damp to build even a small fire lighting nothing

beyond the valley where

I have been

for hours

waiting.
When the sisters
come down the trail, they are nothing

like the dancing sisters I remember, nothing
like the woman who teaches a young man a lesson.

Shy and small-hooved, they

scatter at the slightest, stoop
for a group photo. I had been thinking

to tell them something about dancing
but oh their starved
shy smiles—
not a one of them to listen to my sad stories:

The princess who got away, returned,
only to leave me again.

The unheard warnings, the warning heard
and unheeded. But who could have known

the number of nights was finite I ask myself when I wake
in the village where no one knows me. 

Wouldn’t I go back I say to no one I’d go back into any one
of those nights, even with my unfurred mortal feet,
slipperless and undanced for a decade.

Janet McAdams is the author of the poetry collections Buffalo in Six Directions/ Búfalo en seís direcciones, Feral, and The Island of Lost Luggage, which received an American Book Award. Her chapbook of prose poems, Seven Boxes for the Country After, won the Wick Chapbook competition and was published by Kent State University Press. Her poems have appeared or are forthcoming in Poetry, North American Review, Yellow Medicine Review, and Poem-a-Day, among others, and in the anthologies New Poets of Native Nations, Queer Nature, and Essential Queer Voices. She is an emerita professor of Kenyon College, where she held the Robert P. Hubbard Chair in Poetry, and now lives in San Miguel de Allende, Mexico.

Image: theoutdoorsquest.com

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