Tag: Whiskey Tit
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NSFW, a new novel by David Scott Hay, reviewed by Dave Fitzgerald
Dystopian fiction is so hot right now. Hot like teen vampires before it. And child wizards before that. Hot like Chris Pine, and Michael B. Jordan, and J-Law. Hot like a Ron DeSantis book-burning. In Florida. In July. Hot like our annually warming planet. Speaking as someone who read The Giver, Fahrenheit 451, Brave New…
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Dave Fitzgerald Reviews Terena Elizabeth Bell’s Story Collection Tell Me What You See
It’s funny. When I scheduled with Heavy Feather last month for this to be my first review of 2023, I didn’t really give much thought to the fact that it would post just a few days after the 2nd anniversary of the January 6th attacks. I mean, sure, I thought it would be a good…
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Cinema, a novel by Samuel Kaye, reviewed by Dave Fitzgerald
Long before I started writing book reviews, I had a steady (unpaid) gig writing movie reviews (and still contribute occasional, long-form film articles to DailyGrindhouse.com and Cinedump.com, for anyone who just can’t get enough of me and my sweet, sweet opinions). I have BA’s in English and Film Studies, and have written stage plays, a…
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The Autodidacts, a novel by Thomas Kendall, reviewed by Dave Fitzgerald
There is a passage in what I have come to think of as, gun to my head, my all-time favorite novel—Ken Kesey’s Sometimes a Great Notion—wherein a character complains to his therapist that he thinks he might be going mad, only to be met with the following response: “No Leland, not you. You, and in…
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“Risking Chaos”: Marcus Pactor Chats with David Leo Rice, Author of The New House
David Leo Rice writes singularly weird fiction about the experiences of artists and drifters wandering hallucinatory landscapes. His latest novel, The New House, is a kunstlerroman focused on a child named Jakob, who trains to be an artist in a town of sentient dolls, blood clots who are sisters and lovers and advisors, and men…
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David Leo Rice’s New Novel The New House, reviewed by Dave Fitzgerald
My wife and I still talk often about the term “art monster”—first coined in Jenny Offill’s 2014 novel Dept. of Speculation, and introduced to us via Claire Dederer’s 2017 Paris Review article “What Do We Do With the Art of Monstrous Men?” (we don’t exactly have our fingers on the pulse, my wife and I).…
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“Forsaken”: Gay Degani Interviews Jayne Martin, author of the memoir THE DADDY CHRONICLES
A stick of dynamite is about the size of a banana. It doesn’t necessarily look dangerous, but it carries with it a huge blast. This little book reminds me of TNT. I thumb open the The Daddy Chronicles and find the prologue is titled “Ode to the Lone Sperm” followed by this first sentence “Eager…
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The Book of the Last Word, a novel by Jesi Bender, reviewed by Patrick Parks
In the prologue to Jesi Bender’s intense and beautifully crafted first novel, The Book of the Last Word, we hear from that most omniscient of narrators, who tells us, “In the beginning, there was nothing but me. In the end, it will be the same.” This paraphrasing from Genesis is a tip-off that behind the…
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“Master of the Concise”: Jesi Buell Reviews J. Bradley’s flash fiction collection Neil and Other Stories
Neil and Other Stories is a prepossessing examination of a parent’s influence on the internal life of their child. At first, the reader approaches what seems to be disparate scenes, but as the stories progress, a singular interlinking story begins to form. Neil and Other Stories is a predominantly a collection of flash fiction pieces that culminates…
Heavy Feather Review 